awaken music

Son Lux - (SPECIAL POST) an artist worth your time & attention!

2010-06-29T08:42:00.001-07:00

The artist is Son Lux, a New York songwriter, that's doing some pretty creative work! I can't believe I hadn't heard of this guy until recently...

Critics have said, "an epic, almost schizofrenic carousel of sounds that picks up where Radiohead's Kid A left off."

So without any further adieu, here is Son Lux...ENJOY!

(close your eyes and spend a few minutes escaping)

Peace,
Ross

The Boy in the Well - Where's Lawrence

2010-06-28T07:43:00.000-07:00

Where's Lawrence is a creative indie-rock act producing great tracks for your listening pleasures. They work in the vein of Death Cab For Cutie meets Arcade Fire meets The Decemberists.

Wokuk is a driving song layered with great instrumentation. Its like a beautiful onion, each layer perfectly placed to support the overall composition. On Beauty Fell, the acoustic strum meets yearning vocals. Its pure rawness and has an intense quality.

The Forest...You're Nothing Anyway, is a slower, more down-tempo track. It has a close, intimate quality and the stripped down intro draws the listener close. The band enters and nicely lifts the song without taking away the pure, simple qualities.

Where's Lawrence does a fantastic job of pulling various instruments into the mix and putting them precisely where they belong. These guys clearly know what it takes to compose true art!

RATING: 5 of 5 stars

Tomorrow is What it Used to Be - John Riccio

2010-06-28T07:17:00.000-07:00

John Riccio's album, Tomorrow is What it Used to Be, is a nice summer listen. Its laden with hooky tracks, easy acoustic strums, and melodies you'll remember for days. Riccio's opener, One or Two is reminiscent of a pop/rock Bruce Springsteen. The production quality is stellar and the snare drum is especially perfect for the song.

On My Will, strings begin the song in a huge fashion. Its swelling and draws the listener in. The vocals excel and are perfectly set in the mix. In and Out has a fun two-step feel with a great circular-acoustic riff leading the song and propelling it forward - its one of those songs you'll crank the volume on as you drive down a country road.

Riccio is a talented writer, player, and arranger! This album is sure to please, so check it out ASAP!!!

Visit him on myspace: www.myspace.com/johnriccio

RATING: 5 of 5 stars

All Hearts - Troubaduo

2010-06-28T07:13:00.000-07:00

Troubaduo is making a name for themselves as they write, record, and perform quality material. These golden state-ers write pop-rock with a rootys/americana bent.

Tracks like, What's Really You, feature Jill's vocals cutting a more soulful rug. On Houdini, the band works and succeeds in an almost big-band, 1940's era track. Houdini is a perfect track, mixed exceedingly well and instrumentally impressive - easily their best! On Show Me, Jill's vocals again take on a more clearly soulful attack. Its a hooky track with some great electric guitar tones.

Overall, Troubaduo writes well and displays a nice understanding of the genre.

RATING: 3.5 of 5 stars

Alone or Lying - Christa Gniadek

2010-06-28T06:58:00.000-07:00

From Massachusetts hails Christa Gniadek; a talented singer/songwriter writing anti-folk/arty/pop acoustic tracks. On her opening track, Adjust, Christa lilts in a beautiful free-floating melody over bouncing acoustic guitars. Her vocals are clearly her bread winner! Combine crystal clear vocals and catchy lyrics with the depth of her songwriting and you have a star in the making.

Her sound is reminiscent of an acoustic-driven Regina Spektor, but yields an honest and unique quality - close enough to the genre for easy listenership, but unique enough to hold her own.

I Do, is another catchy tune that immediately grabs your attention. It has the quality that begs an indie-movie soundtrack deal. Finally, on Late on Newbury, Christa closes her album like a late night conversation. Its as if she's strumming and singing on the couch across the room from you. Its a perfect ender to an album that's stripped down, easy to engage, and intimate.

Watch out Christa Gniadek and in the mean time, pick up her album, Alone or Lying!

RATING: 4.5 of 5 stars

Moons - Ekra

2010-04-21T20:01:00.000-07:00

Ekra is a duo rock outfit from New York that's creating circular and layered music with ease. Songs like Intercourse fill the space between ambient Radiohead and dark U2. The track is instrumentally, dark and driving; while the vocal melody is more soothing, anthemic, and reverb-laden.

On Sagittarius A, a dirty trumpet opens the song before a catchy drum sequence drives the song and takes it to something you might expect from Thom Yorke. I love the way they mixed this song. Its spacious and capitalizes on the hooky vocals, while still giving support and tribute to some stellar instrumental musicianship.

Album closer, 49 Days is a mid-tempo piece featuring tight bass and drum work. It has elements as contrasting as NIN and The Postal Service, but seems to pull the angularity off.

If creative ambient-rock is your genre, you'll love Ekra. If not, you'll still appreciate the ride! I would love to see a live show to experience how they pull off the soundscapes as a duo group.

RATING: 4 of 5 stars

Naked - Steve Baskin

2010-04-14T07:18:00.000-07:00

If its textured Americana alt/pop-rock that you're into, then you'll dig Naked, by Atlanta-based, Steve Baskin. Surrounded by a stellar band, they create soundscapes that accurately articulate each song and Baskin's vocals.

Album opener, Catch Me If You Can, is overly poppy, and lends itself to all listeners. It comes across like a blend of Counting Crows and Blue October. Later track, A Day in My Shoes seductively explodes with a great, soaring lead guitar riff. The melodies aren't quite as singable, but the hooks come at you one after another.

Something Smells Fishy belongs main stage at Bonnaroo. Its jammy and catchy all the same. Clearly, these guys know their way inside a studio. Their sounds are solid, and they all complement each other song after song.

RATING: 3.5 of 5 stars

Recurring Dream - BARDO

2010-03-23T18:25:00.000-07:00

BARDO is the culmination of some of LA's finest, doing what they do best - rock! BARDO is part punk, part pop, part rock/alternative; but all attitude. Their album opener, GP Boulevard begins with a simple clean guitar riff and King's vocals, sung clearly and flowing. The drive kicks in at the first chorus and remains throughout the rest of the song.

On track 3, Beautiful, BARDO begins with a tight, in the pocket, groove that complements King's voice perfectly. The pre-chorus gives you layers and drives you into the hooky chorus, singing "you're beautiful."

Run, exposes some of the inner grit within the bands songwriting. Its all drive from the beginning to end. The guitar solo is thought provoking and poignant. Its angular from the straightforward punk-rock tune, but its just the art the song needs.

Finally, on Free To Go, King lilts her voice from almost spoken-word to floating falsetto. The band works thoughtfully throughout the song and plays just what is needed; nothing more, nothing less.

BARDO clearly exhibits recording prowess and songwriting critique.

LA'ers...check them out if you haven't already!

RATING: 4 of 5 stars

The Only Ride You Can Get - Keith Moody

2010-03-22T19:48:00.000-07:00

From the first listen, Keith Moody reminded me of a nice blend of Americana roots-rock and country. There are moments of Tom Petty, Gin Blossoms, and Keith Urban. Moody has a pop appealing ear that truly shows in his writing and production.

His album, The Only Ride You Can Get, was produced by Moody and Jason Elgin. Album opener, Think, does a great job of implementing a mandolin into the forefront. The two-step drum groove keeps the pace up and Moody's vocals are stellar.

Press Gas and Go have all of the components of a pop-rock/county tune. There's catchy guitar riffs mixed with vocal hooks that will have you humming along by the second chorus. On Love Drunk, Moody again utilizes the mandolin as lead rhythm instrument. This song falls more into the vein of roots rock a la a more southern Bob Dylan.

Finally on his title track, Moody writes a country ballad. The verses are almost spoken, and draw in the listener. The choruses are full of great harmonies and backing vocals that make this a great cap on the album!

RATING: 4 of 5 stars

Vermillon - Ryan David Orr

2010-01-31T06:26:00.000-08:00

You know that feeling you get in when you're driving a scenic highway in the summer? There's a feeling of renewal, freshness, ease, and simplicity. That's the feeling you get from Ryan David Orr's album, Vermillon. Its a simple album, easily performed and finds its place to your heart the same way.

Right In Tow has an incredibly singable chorus. Its falsetto glides into pop perfection. On Right in Tow, the syncopated acoustic guitar strum and tambourine backs clear vocals met with harmonies.

Bottle Rocket does a nice job of harnessing what's hot in pop-mainstream, but remains true to the acoustic/americana sound Orr has established. If you could imagine a band like Snow Patrol composing a rootsy acoustic track, you have Bottle Rocket.

Finally, on Snow Globe Ballerina, his voice lilts and rises to a beautifully simple lullaby. Its lyrics succinct and instrumentation perfectly in place - not overdone, but everything in its right place.

Ryan David Orr understands his genre and succeeds within it!

RATING: 4 of 5 stars

Phoenix Rising - Double Helix

2010-01-30T18:23:00.000-08:00

If you're a fan of tasty jazz, then Canada's Double Helix will please. Album opener, Bluesoph, is an easy listen with a great tremolo lead line. It pans back and forth and really keeps your attention. On Silver Mountain Temple, the acoustic guitar plays lead role in a more new age piece. Its complete with woodblocks and rain sticks (you can't go wrong there).

Zoloph Spaceman kicks off the track with harmonics galore. The guitar work is impressive and angular. Its songs like these that show an artists ability to play what's needed and leave out the extra. John Scofield would have a smile on this one - its truly a great work.

But perhaps their best work is on River Song. The acoustic interplay is intoxicating and is reminiscent of Tim Reynolds. The tones and playability earn serious bragging rights!

Pick up a copy of Phoenix Rising by Double Helix!

RATING: 4 of 5 stars

The Grass is Always Greener - Max and the Wild Things

2010-01-30T18:11:00.000-08:00

Max and the Wild Things weave a sonic quality of raw textured sounds that brings you to the front of the stage. Their groove oriented and open mixing gives the feel of a live show. On Without A Sound, the band accompanies a free floating vocal lead line that feels like its leading everyone in a rockin' party. Its full and showcases a belting trumpet.

The next track, Saturday in May, steps back from the in your face party groove and acts as a more subtle track altogether. The vocals again harness a leadership quality and call the listener to attention. On You Got Your, the band steps back in time to a sound more reminiscent of the past (think oldies circa 50's & 60's).

All in all, I would have a hard time believing anyone not enjoying themselves with this album. The instrumentation harnesses a nice live quality. I would prefer more attention to the vocals, but to each their own.

RATING: 3 of 5 stars

Voice in the Dark

2010-01-04T13:04:00.000-08:00

Voice in the Dark is the San Diego pop/rock band that writes, writes, and writes some more. They have a huge catalog of songs that are selective and poignant to certain topics and issues. I've chosen to focus my review on their 2009 release, Gaia.

Voice in the Dark says this about Gaia, "The inspiration driving the creation of Gaia comes from a calling to love our mother earth, remember that it is our responsibility to help others in need, and how vital it is for us to believe in ourselves."

It has elements of Depeche Mode and Morrissey combined with edgy, New Age, instrumentation. It comes out strong on Let's not Forget. Layers of synths and groove to ambient vocals, sets the mood.

On Stop, they employ the acoustic guitar to shine through the mix, as they sing of getting home. Its more angular, but works well. The band is longing and convincing; and it shows in the performance.

Finally on, Can You Believe, the band really shines. The song is set in a clearer and stronger vocal range. The band excels as it works in tandem to create a soundscape any fan of Euro-pop would grab hold of quickly.

To hear more from Voice in the Dark, check out their webiste: www.voiceinthedarkmusic.com

RATING: 3.5 of 5 stars

Dreams That Aren't Mine - David Forest

2010-01-04T12:30:00.001-08:00

David Forest is a fresh sound. This LA songwriter has some talent and I imagine i'm not the first to notice it. His album's opener, Dreams That Aren't Mine spans piano pop, rock alternative, and vocal perfection. Forest can go from a strong lead to soft floating falsetto in a note or two - a real success.

Just as Satisfied begins like a dream; eerie music boxes swirling, and abruptly moves to a more pulsing tune. On this song, Forest utilizes a lower voicing on the verses and offers more dynamic on the chorus. Its reminiscent of David Gray.

Keep on Climbing is a more layered song. It begins with strings oozing from the corners. The acoustic strum combines with a tasty ambient-percussion loop and sits in between his softer vocals nicely.

David Forest is an uber-solid talent, writer, and performer!
RATING: 5 of 5 stars

Knitting Songs - Savannah Jo Lack

2009-12-29T06:41:00.000-08:00

Its a great feeling when one of your last reviews of the year hits home in such nicety that all you want to do is play it over and over again. Savannah Jo Lack's, Knitting Songs, is exactly that album! Its a pure mix of pop, americana, folk, and authenticity that's lacking in today's scene.

The opening Track, Blank Page Day, is a great testament to her writing and song sculpture. It's simple and fun, but has an anthemic quality like something you'd expect from the likes of Elbow. Little Girl is a beautifully sad story dealing with race, abuse, fear, and more. It takes critical talent to mix beauty like this one with cringing lyrics/story. Her writing is poignant and powerful!

On Old Man Perry, her violin loop provides an excellent backdrop for the folksy-alterna-newgrass tune. She really displays an exquisite fresh talent with this instrumentation. Finally, Ocean Dreams escapes the speakers like a dark composition by the Kronos String Quartet. Its rich with pizzicato and honesty.

All in all, her album is top notch. The writing, instrumentation, and production are all stellar. I'd be very interested to see the live show - to witness these songs take shape, layer after layer.

(Truly one of the top 3 albums I've reviewed all year long!)

RATING: 5 of 5 stars

Strange Part of the Country - Conil

2009-12-23T05:32:00.001-08:00

Coming at us from the UK is a great rock-singer/songwriter, Conil. On his debut album, Strange Part of the Country, he's worked with an all star engineer and mixer, Tchad Blake (Tom Waits, Pearl Jam). Conil's voice has an interesting quality to it that's hard to label. Its not overly raspy, not overly pop, and has the ability to go from scream to lilting falsetto in one or two bars.

Strange Part of the Country is an acoustic rock piece with great instrumentation. Imagine Alice in Chains and Elbow writing a song together - that's what you get here. Years Between is a light track with easy percussion and instrumentation that surrounds his passionate voice.

On a later track, Grapevine, the verses are reminiscent of Depeche Mode (minus the layered synths), and the chorus' pull out the stops and really deliver. But perhaps his best track is Bonediggers. Its go great instrumental work - tasty use of perc and bass and just enough axillary to really sell the song. Overall, the writing and production are working well together. Its by no surprise that Conil has been receiving stellar reviews throughout the UK.

RATING: 4.5 of 5 stars

Down Home Girl - Kathryn Caine

2009-12-23T05:16:00.001-08:00

Sometimes the only cure for a bland road trip is great bluegrass music. So it is with Kathryn Caine's, Down Home Girl. Appropriate for the road trip is her first track, Wheels. Its full of tinny acoustic strum (guitars and mandolins) and sassy harmonies.

On Far Away, there's a stellar fiddle lead line that runs throughout the song - a great complement to Caine's vocals, and a perfect showcase of the albums talent. A slower track, For You gives more highlight to Caine's voice as there's not much else to cover it up. Her voice is clear when need be, and has just enough edge to make a Sheryl Crow comparison.

Finally her track, Honey Hill does a fantastic job blending pop with bluegrass. Its a full drum kit, bass, electric guitars outfit; but all the while still has a bluegrass quality. This may be a more accessible track for people not totally sold on the more pure genre, but I think her best writings and recordings are in the more pure bluegrass tracks.

RATING: 4 of 5 stars

Please Interstellar Policeman - Poland

2009-12-01T12:25:00.000-08:00

Poland is the Seattle, pop-rock outfit that's writing some great tunes! Their sounds resonate with the listener as it harnesses parts of the Brit-invasion qualities of early Beatles, while also lending a hint of respect worthy of Jellyfish meets The Doors.

The album is recorded with space and has a very warm touch. There's instrumentation galore. In songs like Your Sunday Book, there's synths, vocals, guitars, and percussive work, blended nicely with strings and pizzicato work - all the while nothing stepping on any toes.

My favorite arrangement is the opening of Terrapin Lane. The string and vocal arrangement really excel.

The next time you're in Seattle, find out where Poland is performing and catch a live show.

RATING: 4 of 5 stars

Shipwrecked! - Chris Volpe

2009-12-01T12:08:00.000-08:00

Nashville's, Chris Volpe is just what music needs. He's uniquely gifted and sits in a great place - to the side of the bland singer/songwriter sect. Its accessible, but much more artsy than the general vibe coming from the genre. His music is part folk, jazz, bluegrass, and acoustic singer/songwriter. But its the undeniable roosty-Americana sounds that really make his album, Shipwrecked! truly soar!

Songs like Don't Go and Salvation's Round the Bend, make this unique blend work. Ice Upon the Ocean is one of his best. There's a beautiful lilting violin that accompanies Volpe's voice in a dramatic way.

So if you're a fan of the genre, and like artists ranging from Johnny Cash to Griffin House, Nickel Creek to Thad Cockrell, you'll fall in love with this record. This is truly one of the best albums I've heard in a very long time. I honestly hope to meet Volpe in concert and write a live review while in Nashville in the near future!

RATING: 6 of 5 stars!
(this is a first)

GO BACK - Joey Davila

2009-12-01T11:57:00.000-08:00

Joey Davila's album, GO BACK, is a step in the right direction. Davila combines a nice blend of pop and rock to create his signature sound.

Go Back, the album opener is hooky and drives. Its recorded with stellar accuracy. On, Your Always on My Mind, he slows things down and brings in a groovier element. There's a good amount of vocal loops and help to showcase Davila's voice. The chorus has a very corporate worship element to it. Its simple and singable.

My Ninety One is more of a spoken song with an acoustic strum to carry it. Its reminiscent of a Bon Jovi record - a nice blend of anthem rock with accessible pop.

RATING: 3.5 of 5 stars

Scraping for Change

2009-12-01T11:46:00.000-08:00

It is my pleasure to preview the upcoming 2010 E.P. from Scraping For Change. First off, the recording quality and production value is very top-notch! These guys clearly have spent the time necessary to go over everything with a fine-toothed comb to ensure everything is in its appropriate place.

The drums and bass click together like a machine, the guitar work is edgy, progressive, and forward-thinking, and the vocals are performed with pure intensity and emotion. All in all, the recording moves in and out of intense art that I think anyone of the alternative rock genre will come to love. If you're a fan of Incubus, Queens of the Stone Age, and Story of the Year; then you'll love Scraping For Change.

Everyone...BE ON THE LOOKOUT!

RATING: 4.5 of 5 stars

Trio - Ironwood Rain

2009-12-01T11:38:00.000-08:00

Colorado's acoustic trio, Ironwood Rain, releases their album Trio with ease and confidence. The album is one beautiful track after another. Its simplicity at its best that makes these guys fit together so nicely.

Songs like, Until the End of Time, shows this acoustic interplay working for them. The vocals are sparse and simple. There's complementary harmonies and melodies. On, '39, they bring out a real gospel/bluegrass element that works well in this arrangement (there's even a whistle solo).

If you happen to be in Colorado, check the music of Ironwood Rain.

RATING: 3 of 5 stars

Death to god - deVries

2009-11-02T12:40:00.000-08:00

deVries is the music musings of Travis DeVries, Sean Gibbons, Dan Ollvo, and Marco Echanove. The 4-piece band writes well and produces even better.

Girl In The Fur-Skin Rug is an epic/ambient sounding tune that sounds like NIN playing the Beatles. Black Thursday Repeat is extremely catchy. They're able to write very poppy music with a dark harness placed over it.

On Shoulder to Shoulder, the band becomes more anthemic, reminiscent of The Who. Finally, on Slowing Down, the band goes tribal with its percussion and instrumentation. Its a perfect blend of ambient drone and texture.

The overall production value is high and the writing is mature. This band is something to watch!

RATING: 4.5 of 5 stars

Without Wax - Harley Jay

2009-11-02T12:28:00.001-08:00

Harley Jay is pure talent. He's an LA native and has a resume that most would die for. Hearing 30 seconds of his record Without Wax, its obvious this guy has a background in musical theatre. Opener, And She Said, features catchy rhythms, hooks, and vocals - falsetto galore and guitar riffs to boot.

On Lipstick Letter, Jay employs his unique country/rock blend more clearly. Its got some extremely tasty acoustic guitar interplay and fantastic harmonies. The Fall is even more Nashville, but the twang is replaced with feedback (that's a good thing), probably his best song.

Maybe I'm Crazy slows things down with a nice finger picked acoustic guitar sound. By the second verse the band starts a groove and you'll be humming along. This is one of his catchier ballads.

It's a pop-perfected album with lots of great stuff going on. If you're a fan of music spanning from Keith Urban to Maroon5, then you'll love this CD!

RATING: 4.5 of 5 stars

The Morning Birds - Inspiration Point

2009-11-02T12:01:00.000-08:00

Hollywood's, The Morning Birds, are a polished and professional band spouting art at every turn. Its part folk, part rock, and all accessible. Their 2009 release, Inspiration Point is an impressive work of music - 16 tracks (so i'll try and focus on my favorite songs).

Seed of Life comes at you like a folk piece reminiscent of a commune experience. Its easy with layered vocals and smoky with emotion. Bag Full of Emotion is in the same vein. Its a bit more atmospheric as it lends itself to a true psychedelic quality. If the Doors were still releasing albums, this song would be on it.

Heart Connection is a Dylan-esque song that uses their strong asset of layered vocals and simplified percussive grooves. The focus clearly being the vocal melody lines, this one rises.

It's great to hear varied production tactics, and these guys employ them nicely. Catch a show the next time you're in California!

RATING: 4 of 5 stars

Long Live the Viscounts - Vacant Stairs

2009-11-02T11:46:00.000-08:00

Vacant Stairs is a solo musical endeavor that wins! Its simplicity and rawness compel the listener. Window of Opportunity is longing and enables various musical elements. From the distant vocals, simple percussion, to the almost circus-like breakdown, it all works.

Dead Can Dance comes off like a perfect independent film score tune. Its all encompassing themes can be used and liked by many - plus there's a whistle solo. Brother Where Art Thou is the ep closer, and a rougher track. It takes on an almost live quality. The vocals seemed a bit buried and could use some more polish.

Long Live the Viscounts is a solid ep from Vacant Stairs though. Canada did it again.

RATING: 3.5 of 5 stars

SEACATS

2009-11-02T11:33:00.000-08:00

Washington's SEACATS are a throwback to vintage party music. Their sound is cool and upbeat. Its garage rock meets the pool party. Album opener, Don't Get What You Want, will have you screaming along with the whimsical melodies before it hits the second chorus.

On, We Don't Sleep, they put their best foot forward. Falsetto vocals glide nicely with an easily strummed electric guitar. Its a quick, in your face, tune that excels. Yield is a three minute poppy/grunge tune, I could imagine a less dark Cobain writing.

All in all, the SEACATS please. Watch for upcoming shows in your area!

RATING: 3.5 of 5 stars

Iolite

2009-10-22T11:32:00.000-07:00

If you're looking for a way to jazz up and give your life soul, I'd suggest checking the musical efforts of Iolite. From the first notes hitting my ears, it was obvious that this CD is mature and the art is real.

On Night, the soulful vocals soothe whatever is not right in the world. The instrumentation is peaceful and perfect. The trumpet solo is just right. On Be Wise, they embark into a more world music feel and genre. Its full of percussion and muted trumpets. The vocals are put nicely in their place and the piano excels.

On later track, Rooms, they bring in some good old fashioned soul to the mix. The warble of the guitars are a nice touch.

There seems to be a real sense of production and gloss with Iolite. They know how to compose and turn art in to something the masses can enjoy and be moved by.

RATING: 5 of 5 stars

Pligrimage - Haakon's Fault

2009-10-19T09:27:00.000-07:00

From the Big Apple hails the up and coming rock outfit, Haakon's Fault. They're a 5-piece, unique blend of progressive pop-rock that combines varied elements to create a sound only you can experience by listening to the CD (or seeing them live, i would imagine).

On their album, Pilgrimage, they open with the title track and unleash great drum grooves and musical interplay that hasn't been heard on the music scene in far too long. Its part JellyFish, part Alice in Chains, part Incubus, and part Phish. So, you do the math!

On Star Gazing they kick it off in more of a jam-band vein that is reminiscent of Pseudopod. Its got all of the jam elements with a more gentle bent. Siren brings in more intense guitar work. Its all in all grittier which is an interesting contrast to the low vocals.

The album's closer, Glory, is a nice acoustic track with a very live feel that ends well. All in all, the record is produced with pristine quality. You can obviously tell that these guys are all extremely talented players in their own rights, and they make it work as they play together in a band.

If you don't own Pilgrimage, go get a copy!

RATING: 4.5 of 5 stars

To Kiss You - Tahni Handal

2009-09-28T13:01:00.000-07:00

Tahni Handal is a smooth singing songwriter from Texas that has the gift of putting story to song and delivering with excellence. She's removed from the status quo of female acoustic singer/songwriters, and does a great job on her album, To Kiss You.

Her album opener, Shooting for the Moon, is a catchy pop-rock tune that's a perfect road trip song. Well blended backing vocals surround her lead, and the band performs with zeal. On a later track, To Kiss You, she slows things down to pose statements like, "I wish I would have known you were the one." She's got just enough grit in her voice, you know she's real.

On her final track, In The End, Handal softly plays the piano as she eloquently sings of leaving worries behind. Its perhaps her best song on the entire album.

Handal does a fantastic job writing and executing her songs. Be sure to look for her!
RATING: 4.5 of 5 stars

MetemPsychosis - Malnack

2009-09-28T12:47:00.000-07:00

Omaha's band, Malnack released their album MetemPhychosis, and it seemed the accolades poured in. It seems that Malnack can't escape people's love for the record. Perhaps its the prog-rock, perhaps its the throwback to Rush. But whatever it is, people are talking.

Late Night is a great example of setting Booth's vocals out to give any Geddy Lee fan a rise. It later features some very tasty synth/organ leads that combines to complete a very nice album opener.

On One Man's Ghost, the dance floor might as well be lit, because this track will bring out the grooves. Its sonically recorded, and captures sounds from classic rock to euro-synth-power-pop. Finally, on tracks like, Lost Again, they surprise again with a more melodic, pop-rock sound. I can imagine it as a television theme song - not in a condescending way - but its just that catchy.

All in all, Malnack knows what goes into the recording process. They've recorded and produced a very nice album.

RATING: 4 of 5 stars

Almost One - Live @ The Sidewalk

2009-09-19T18:27:00.000-07:00

Sitting inside New York's, Side Walk is somewhat entrancing, even without anyone on stage - that is, if you are impressed being in a venue that helped kindle talents of Patti Smith, Bruce Springsteen, Aerosmith, and Regina Spektor.

So it was in late August when I caught a performance by the acoustic-trio, Almost One. The band, with an a-typical roster Marissa Brozier (vocals), Mike Macagnone (percussion), and Steve Carrea (guitars/writing) took stage and performed a short 30 minute set that delivered.

With a standing-room only crowd, Almost One began their set paying homage to Green Day via a simple acoustic strum and lilting vocal on Time of Your Life. They quickly launched into an original tune, The Line, which at times combined the pop influenced writings of Vanessa Carlton and Lisa Loeb. The Line was an easy listening pop-rock tune, featuring harmonies and Carrea's double-strum.

Later they embarked into a haunting rendition of MJ's Billy Jean. Chris Cornel would be proud of Brozier's vocals. This was clearly their highlight - as the crowds response was truly heightened.

Finally, they closed with Standing Still, a smooth piano driven song, that could have been a Coldplay or Fray lullaby, until the pulsing ending, which left the crowd driving and pleased.

In only 30 minutes, Almost One took us on a ride and pleased everyone attending!

Televolution - The Spies

2009-09-14T12:09:00.000-07:00

The Spies, encompass the musical collaborations of Leo Francis and Mark Matkevich - both hailing from the LA music scene. On their most recent muscial endeavor, Televolution, they open their album with Bang Bang, a fun, choppy and bluesy track I might imagine from a fun loving Ben Folds.

On Radio Caller, they utilize a mid-tempo melody to drive home a simple Wilco-esque anthem. Paper Trail opens up with overdriven guitars blaring and a rhythm section keeping things simple. It continues to tell a singable story that is workable - giving highlight to multiple vocal lines and harmonies. Its part rant, part exegesis, all truth.

On a later track, Modern Oceans, The Spies unveil a very live sounding track with very solid work under their belts. But perhaps their most solid and best work comes out in Lavender, a softer ballad with a nice lo-fi bent.

The album is complete and I imagine will please fans of rootsy-rockers like, Wilco and Elvis Costello.
RATING: 4 of 5 stars

Defender

2009-09-13T08:05:00.000-07:00

Austin's, Defender (Dustin Spillman), is an electro-ambient-rock culmination that sounds like purity and chaos colliding. Its a beautiful mess! Its what music should be. Its emotive, honest, and exploratory.

On songs like, Everytime I Fall, Spillman utilizes beautiful space, electronic beats, and a haunting female vocal that is reminiscent of My Brightest Diamond. A couple tracks later on, The Last Memory of Man, Spillman uses a midtempo soundscape and electronics to drive home a sound ready for any post-apocylaptic scene. Danger on the Bridge has a darker, more ominous sound to it. With distorted spoken words mixed amongst the heavy beat-driven song, Danger on the Bridge succeeds in every way, with a sound much like AptCore.

Spillman clearly has what it takes. He's forward thinking in every way and composes truly chaotic beauty!

RATING: 5 of 5 stars

Man + Water - The Orchid Riot

2009-08-18T09:04:00.000-07:00

The Orchid Riot is a tight alternative/rock band from Colorado, spanning from ambiance to euro-pop-rock. On their E.P.'s opener, The Scene, it gives the listener plenty of space to get into the voice before being lifted by the simple grooves that come later. Its reminiscent of Jeff Buckley mixed with a sense of My Morning Jacket.

On Grace in Room 101, an infusion of euro-pop flows over a raw indie style. Its an angular song that comes out chaotic and looming. Get Out While You Can! is more straight-forward indie rock in the feel of Franz Ferdinand whereas Mother, Will You Be Okay?, begins like a child's music box. Its quite possibly their best effort. Quiet and ambient - a vivid story!

Check them out if you find yourself in the Colorado area...

RATING: 3.5 of 5 stars

I'm Not Goin' Nowhere - Leah

2009-08-18T07:50:00.000-07:00

It's no surprise that Leah keeps climbing the musical ladder with song placement on hit tv shows and licensing deals to make aspiring musicians jealous. Her e.p., I'm Not Goin' Nowhere, jumps from the first beat of Runaway. The driving energy of drums and guitars explode as her gritty pop-voice is brought to the forefront. Her singing is believable as she screams "lets lose ourselves."

On Stay Here, she shows off a bit more of her vocals. There's more space, but the chunky guitars continue the drive. On Here's To You My Friend, the band grooves around her vocals, setting Leah in the proper place - out front. The chorus excels with percussive hooks and crushing lead-guitar lines.

This album has everything you'd expect from a national pop-rock release. These songs are executed with pop perfect hooks and instrumentation I would imagine Butch Walker becoming jealous. Pick the album up if you get a chance!
RATING: 4.5 of 5 stars

Staffer...in the rain

2009-08-17T14:11:00.001-07:00

Dianna Cristaldi

2009-08-03T13:07:00.000-07:00

Kick your shoes off, ease back in a comfy chair, and turn the stereo up to experience a throwback to easier times. You'll be singing along soon enough as you ride through a rootsy/folk record timed perfectly with homage being paid to those that came before.

Dianna Cristaldi's self-titled album are a culmination of 15 truths she transcribes into song. Her songs are both sassy and accurate; combining folk, bluegrass, motown, and bluesy elements that rise and fall with ease.

Songs like Why Can't We Love Each Other and Radiant Love have a pulsing drive and a true and seamless Nashville sound, while Temptations holds on more tightly to a bluegrass genre while bringing in seductive backing vocals to bridge fans of Motown.

On Far Away and Mountains Majesty, Dianna would put a huge grin on the likes of Joni Mitchell and Allison Krauss. Both are honest stories woven into soundscapes to match.

All in all, Dianna Cristaldi does a fantastic job writing with emotion and translating her emotions into songs. The recordings and production are stellar. If you're in New York, be sure to catch a performance!

RATING: 4 of 5 stars

Arrival - Nadia

2009-07-27T07:52:00.000-07:00

Canadian artist, Nadia is doing something very special on her record, Arrival. She's got a soulful blend of pop and singer/songwriter that eases the world around you. Songs like Mother, are nicely written, recorded, and produced. It's not a stereotypical track you might expect from a pop-rock female artist. Its part Adelea, part Feist, and part Norah Jones; but unique enough to be its own.

Arrival takes on a neat Motown quality. Simply defined percussion and beats, with a vintage pop vocal sound and backing vocals give the album some real throwback. Tyranny of the Heart then gets raw and more rock. Nadia unleashes her chords in a real and provocative way. Imagine Lenny Kravitz as a woman and you have Nadia on this track!

Nadia has the promise to be another Canadian gold mine.

RATING: 4.5 of 5 stars

The Blackout Project EP

2009-07-27T06:54:00.000-07:00

An eclectic sound that a list of cross-genres won't do justice...that's The Blackout Project. To limit these guys to rock, hip hop, alternative, and funk, you'll imagine nothing more that Kid Rock, and The Blackout Project is so much more than the status quo. Opener, Sew the Seams, rocks an acoustic strum with tight beats and lyrical flow that will have you rolling the windows down, turning the stereo up and wailing with the vocals on the chorus - and the honkey tonk piano is just an added perk!

Future Celebrity was the song that first turned me onto these guys. Its a catchy rap tune with tight rock/r&b electric guitar riffs complements of Maroon5 or Pomeroy. They also pose some noteworthy questions, "how am I supposed to get with Jessica Alba?" Songs like this just don't happen every day. The instrumental interplay is impressive and the vocal quality is pristine.

To understand the next track, What We've Become, close your eyes and imagine acoustic instrumentation reminiscent of a Dave Matthews and Tim Reynolds jam tune. Mix that with groove and angst rap and you have it. Its unique and perfectly mixed!

All in all, this EP is one of the best I've heard in a good while. Do yourself a huge favor and pickup a copy of this EP in the very near future!

RATING: 5 of 5 stars

Americaville - The Bludlows

2009-07-25T12:34:00.000-07:00

The Bludlows 2009 CD release, Americaville, jumps at you from the very first track. The opener and title track is reminiscent of early Pearl Jam mixed with a raw punk edge - its gritty and real. The CD immediately takes on a more garage/punk feel with Command Her Boogie. The guitars clearly hold this song with catchy grooves and hooks, while the vocals take a more bluesy approach.

On a more poppy track, Blockade combines sounds of contemporaries, Cold War Kids and mixes melodies I could imagine Adam Duritz writing. Perhaps their most well crafted song however is the album closer, Point of Reference. Its a grungy/atmospheric tune held together with wailing guitar lines and jams, tight grooves (bass and drums), and growling vocals.

The band seems to work together the best in their final track, but all in all, the CD is a success in combining competing genres of grunge, garage rock, pop, and punk, while not seeming too angular and indecisive. Watch for these guys!

RATING: 4 of 5 stars

Simple Things EP - Ross Riskin

2009-07-01T14:38:00.000-07:00

Ross Riskin, 18 year old singer/songwriter from CT easily strums his guitar as his voice lulls you into a dream-state. On his Simple Things EP, he begins with an easy listening song, The City. There's not a whole lot of movement to it melodically, but somehow its just involved enough to work. Break Me Down begins again with the acoustic strum and his vocals beg your echo, "I've been moving at the speed of sound."

Perhaps his best song is My Mind. Its a catchy acoustic riff working a vocal pattern that will please any Dashboard or Plain White T's fan. The EP is extremely minimal; but done in a way that gives you the feel of a home performance. I think the sound will continue to mature with age - its well under way!
RATING: 4 of 5 stars

magik+mayhem - Area27

2009-07-01T14:18:00.000-07:00

If Adam Levine became a woman, this is the sexy voice and sound he'd be creating. Area27 is the California based electro-pop-rock outfit that tours the west coast.

Songs like Black Sun and Circles bring the groove based rock while lifting Shalien's vocals in the mix to its proper place. Other works like Wild Card play out like a Radiohead track mixed with breathy and haunting vocals.

All in all, the production quality of magik+mayhem is stellar. The seductive vocals are magical and work seamlessly in their writing. Two big thumbs up!

RATING: 4.5 of 5 stars

Hostages EP - Attack the City

2009-06-30T09:00:00.000-07:00

If you're into hard-hitting rock in the vein of Coheed and Cambria or Story of the Year, you'll love Attack the City. ATC is an incredible 5-some of rockers from Boston, MA. Their newest EP, Hostages is a 5 track rock-fest featuring tight grooves, climbing instrumentation, and wailing vocals. Songs like Rediscovering Letters gives plenty of room for Melanson to yell, "it won't last," and drummer Olivares to deliver some extremely tight beats.

On Castaway, it begins like a bad version of cheesy 70's video games (a la Galaga), but quickly unleashes real power and talent. The entire band is working together increasingly well to create perfect rock songs.

The overall production is seamless and these guys clearly have what it takes to make it in the scene. Be on the lookout!

RATING: 5 of 5 stars

A Scary Kind of Love - Witches in Bikinis

2009-06-30T08:45:00.000-07:00

Witches in Bikini's may sound like a late night Cinemax special, but instead its the theatrical/musical experience of 7 Brooklyn artists. The music is an experience all its own - like a musical circus that I'd imagine complements the live show quite well.

Their album, A Scary Kind of Love, is a 12 track joy ride. Layers of 60's music and synth-pop, combined with the intensity of a dance troupe is what you can expect on tracks like Video Vixen Vampire, O.O.B.E., and Party Like A Chimpanzee. Its titles like these that fill out the album. Its fun, very live, and I can only imagine what the show might be like...

Check them out live in concert for a real ride!
RATING: 3.5 of 5 stars

Funky Poetz - Eggshell Egoz

2009-06-16T13:32:00.000-07:00

Imagine Primus doing a pop-funk project...there yet? Now you have Eggshell Egoz. Their album, Funky Poetz is that slap happy album of pop-perfected funk with a tinge of obscurity riding the fringes, all soothed with the vocal performance and comfort of Jack Johnson.

Album opener, Funky Poetz rides like a quirky party out of Bonaroo. Simple Toys is the jam-oriented song grasping to the bands ability to groove in tight sync. Then to cap off the album is an acoustic nicety, Manic Peaches. Whitton's vocals surprise in this folksy lullaby quality. Its a move from funk-pop-obscurity to soothing acoustic rock in the vein of The Counting Crows.

Production is something these guys do amazingly well. The album has a stellar gloss about it!

RATING: 4 of 5 stars

Single Serving Friend

2009-06-16T13:16:00.000-07:00

New York's, Single Serving Friend, is a mixture of raw energy, excitement, and throwback to influence. Listening through the self-titled e.p. you'll hear homage paid to the likes of 311, Sublime, and Cake.

On Lolita, the band works off of a catchy rhythm and delivers enthusiastic lyrics to boot. Rock Radio works with more intensity and belongs on the video game Road Rash circa early Sublime. This track adds more drive than most - its not for family listening.

Forever utilizes ambiance and space to communicate. Then at 2:26, enters the drive and force you're used to with these guys.

Overall, the production captures energy in its live quality. I think more time and care in the studio could bring these songs up to their potential.

RATING: 3 of 5 stars

The Voodoo Fix

2009-06-16T12:28:00.000-07:00

Funky good times is what you'll experience with The Voodoo Fix. Their self-titled e.p. is like the funkier cousin to The Black Keys. Wrought with catchy electric guitar riffs and a bass/drum combo to get any room dancing, The Voodoo Fix works!

On songs like, Walk on By, they employ a more R&B/rock/Maroon5 sound to broaden their genre and pop-appeal. On Don't Come Home, they add another element of euro-indie sounds to their already successful sound. It culminates in you being in a good mood.

Catch these guys live in concert or read more at their website: www.thevoodoofix.com

RATING: 4 of 5 stars

Pianocentric - Sharon Kenny

2009-06-09T12:06:00.000-07:00

New York singer/songwriter, Sharon Kenny is a vibrant musical force. Her vocal clarity excels while her piano work swirls around her in a circular and unique fashion.

The first track, So Soon, begins with single piano notes and her vocals beckoning your attention. All will stop in the world around you. As the song continues and builds, she sings, "let me catch my breath," and the arrangement swirls around her perfectly.

Clockwork continues the ride with projected ease. She works in and out of a tight band sound. The story is a ride! Calendar Song is total free-form. Its angular and plays like musical theatre. If you're a straight music lover and true art scares you, stay away from this one. If you're in for some adventure and are will to take chances, join Kenny on this one and hold on tight.

Kenny's album, Pianocentric is a musical and artistic trip!

RATING: 4.5 of 5 stars

Only Too Well - Jacob Carver

2009-06-09T11:44:00.000-07:00

Jacob Carver delivers true Americana on his album, Only Too Well. Songs like Bitterhanded, have an early Tom Petty quality. At times you'll feel like you're sitting around a campfire - jumping to join in on the chorus, grabbing a harmonica, or beat some percussion. It's just that welcoming.

On the slower ballad Come Crawling, Carver croons a tune about the "human stain." Again, running to that communal sound of the saloon scene, Carver ends with a soaring vocal line.

All in all, his production and writing is simple and lends itself nicely to the genre.

RATING: 3 of 5 stars

Nive Nielsen & The Deer People

2009-06-09T08:50:00.000-07:00

If you've ever wondered what eskimo music sounded like, Nive Nielsen & The Deer Children, is it. Nive is an Inuk from Greenland and her compositions are breathtaking!

Her song, Room, is a simple track plucked and plinked along with great accompaniment to surround her cooing vocals. Its a truly fresh sound.

Good for You, is a more quirky-folksy tune that needs a Mac commercial to support. Its a pop-perfected folk song that you'll be singing along to by the first chorus. On My Coffee Boy, her voice lilts along with a jazzy bass and percussive undertone.

Nive clearly has it. She combines talent, creativity, and successful writing to work for her and her band. I can only imagine it a matter of time before she's an international success.

RATING: 5 of 5 stars

The Alternates

2009-05-19T14:35:00.000-07:00

The Alternates have something special. Its a combination of confidence, musical drive, and sincerity. Together it culminates into a fresh euro-pop/rock sound (that spans several sub-genres). Should Have shows this immediately with its melody and instrumentation - a singable track from the get-go.

Changing Course does the same, but grabs hold of Seattle's grunge to add a nuanced element not present in the euro/rock "sound." The Alternates make it work - so much so, that you'll be clapping along by the last chorus.

Later track, Who Can You Trust, places a grittier acoustic strum in the forefront to add a euro-folksy element to the verse. And caps the song off with a beautifully recorded blues solo. All in all, their sound is honed and carefully in place. Recorded with passion, I imagine you'll be hearing more from The Alternates.

RATING: 4 of 5 stars

The Royal Greens

2009-05-06T14:00:00.001-07:00

Southern rockabilly is alive in Virginia folks! The Royal Greens release their self-titled, 7 track e.p. and really deliver that great sound we all know. Tracks like Mason Jar Baby combine the raw instrumentation of the south with the vocal growl that would make Eddie Vedder smile.

On Hold Slow, the song grooves along with a riff reminiscent of My Morning Jacket. And its in that vein that their sound has its strongest hold. Its a step away from classic southern rock, to a more glam/jam/groove sub-category.

The overall recording sheds a light on what I imagine their live set is like - sincere with a non-glossy rawness to it. If you find yourself in VA, be sure to check out these guys!

RATING: 3.5 of 5 stars

Where You Move Me - Nathan Brumley

2009-05-06T13:37:00.000-07:00

Close your eyes and think of the Nashville music scene...you probably thought of Country and Christian - two genres that call it home. Nathan Brumley is a Christian music sensation writing melodies with pop-perfected hooks and instrumentation. In the vein of other piano driven artists, such as Michael W. Smith and Shaun Groves, Brumley gives us Where You Move Me.

Track one, Something Real, hits the ears with such ease and familiarity that you're singing along from the get go - no prior listening required. On Love Outside the Lines, Brumley's voice lilts back and forth between full voice and falsetto to tell the redemptive story of love. On Only My Heart, he switches from more performance oriented writing to a more corporate worshipful tone.

Brumley has honed the recording process and delivers a real glossy, Nashville-style, Christian record with Where You Move Me.

RATING: 3.5 of 5 stars

Arms Are Falling - Keith Cornella and Broken City

2009-05-05T13:25:00.000-07:00

Keith Cornella and Broken City, other than being a mouthful, is the rock project coming from Massachusetts and making some noise. In their album, Arms are Falling, they bring about a rock element that sits nicely on the ear. Its part classic rock; a very straight forward sound that will have fists pumping and energy enough to get you standing, folk/rootsy enough to bring in the Wilco fans, but it also has an element of newness that would make Dave Grohl smile.

Tracks like Energy embark on that classic vibe while later track, Loaded Lovers slow things down to a nice Beatles-esque ride. All in all, their writing is unique and doesn't fall prey to a singular sound or genre, while also not being so completely disjointed that the listener can't get into it either.

Its been nicely recorded and produced with care and musical intelligence. Even musical snobbery will love this one!
RATING: 4.5 of 5 stars

Give - Randy Stern

2009-05-05T12:44:00.000-07:00

Randy Stern, New York indie-rock staple, releases his first solo album in 2009 with Give. Its an Americana delight with scores of layers and a choir of vocal support. Opener, Deeper and Deeper, is an indie-folk by-product of what Stern clearly has built much of his success. Like an Elvis Costello roots rocker, it will have you singing along by the second chorus.

Better Days, an early track, groove along with the same emotion of any Bruce Springsteen anthem. Better Days is delivered and you can sense the trueness of a better horizon and future.

A later track, In the Midnite, is sung like a lullaby. It harnesses space and stillness in the first verse only to erupt at the chorus. Its a darker tune, "I can't feel your lovin' touch no more," but Stern succeeds as this might be one of his better tracks.

Give seems like an accurate portrait of Stern and his vision of life/culture. Its been crafted with care and attention to detail - a solid album.

RATING: 4 of 5 stars

For Full Stimulation - glamourKings

2009-05-05T12:27:00.000-07:00

New York based, glamourKings are a modern mix of NIN and Depeche Mode. Their unique blend of industrial rock and electronic euro-pop, dance together with ease in their recent album release, For Full Stimulation.

Tracks like, Addiction, One and Only, and A Bitch, prove their writing skills and ability to transcribe singable melody. The vocals seem properly mixed and performed - full of self and confidence, while accompanied by driving guitars and percussive beats, all the while, thrown into the mix of electronic chaos - and they pull it off with ease!

RATING: 4 of 5 stars

The Blossoms of Armageddon - Sean Renner

2009-05-01T07:42:00.000-07:00

St. Louis' Sean Renner, is proof that one is enough. Renner is a solo artist that combines loops, ambiance, electronic sampling and more to develop and master beautiful pieces that are musically in-depth and lyrically satisfying. I kept finding myself saying throughout my several listens, "this is beautiful!"

Renner's newest album, The Blossoms of Armageddon is just what I needed to hear when I heard it. Songs like The Plain of Two Mists, sets incredible visual scenes through the complex layers Renner puts forth. The Deccan Traps continues the scene with a pulsing undertone of synthetic percussive loops and swirling vocals.

You'll quickly conclude that Renner is quite a mature writer that fans of Sigur Ros, Explosions in the Sky, and Radiohead will adore.

Find out more at: www.myspace.com/seanrenner

RATING: 5 of 5 stars

Siva Noir

2009-04-30T08:37:00.000-07:00

Melodic clarity and beauty intermingle with epic electro-pop/rock in Siva Noir's self-titled album. In early track, The Hunger, Newman's vocals soar and swell with enough intoxication to give a rise to any Annie Lennox fan. She is accompanied with tight power and raw energy from the band.

In a later track, End Times, pulls out all the stops in a very Muse (Absolution) manner. Its an interesting combination; whereas Newman's vocals come across like a power rock theater - wailed with a Queen-esque fullness, the band drives with layers upon layers and powerful hits.

Imagine Muse and Jellyfish birthing a band, and you get Siva Noir.

Find them online at: http://www.myspace.com/sivanoir

RATING: 4 of 5 stars

Breaking - Brian Larsen

2009-04-30T08:14:00.000-07:00

Maryland native Brian Larsen, works his craft on his debut solo album, Breaking. Set to release in August later this year, Larsen writes of life with lines like, "I'm living in a world of fear; But you can make it all just disappear" from Frozen - an acoustic rock track resembling The Bare Naked Ladies.

Later in Hold Me Down, he says, "How can I belabor this life?; I'm ripped apart inside;" showing a darker side written in the vein of REM. Its in this track that Larsen utilizes thicker harmonies to deliver the melody.

Story after short-story describing what can only be imagined as his emotions and points of view as an onlooker of life, he solidifies his "sound" and approach at writing - mostly waltzing the REM, acoustic alt/rock genre.

RATING: 3.5 of 5 stars

Should It End - The Additives

2009-04-27T09:47:00.000-07:00

If you've not yet heard of The Additives, I imagine its just a matter of time before you do. The Chicago band takes a successful step back to easier and simpler times with a sound comfortable in Americana and roots rock. Its the spawn of Elvis Costello, Cake, and Wiclo.

The opener and title track, Should It End, grips you from the first acoustic strum and holds you to its last utterance. And in the next track The Additives give you just what you need with Blood Red Diamonds. Later in the album, Lookin Out slows things down with a song that sounds more singer/songwriter than the rest; but the departure is a nice one.

The Additives are about to embark on a national tour from Illinois to California, Indiana to Tennessee - so make sure you check out their site and go see them if they're in your area.

www.theadditives.com

RATING: 4 of 5 stars

The Brooklyn What For Borough President

2009-04-27T09:28:00.000-07:00

Don't sit down in a comfy chair for this one...its unfiltered and unrelenting indie-punk-rock with a euro twist. As a matter of fact, I can't imagine listening to this CD alone - it needs the group/gang atmosphere to fully appreciate it. The Brooklyn What For Borough President is the cumulative force of 6 New York natives.

The album opener, I Don't Wanna Go To Willimasburg, grabs you quick with lines like, "I just wanna' play with the cool kids," and doesn't let go until its over. And in tracks like For The Best, The Brooklyn What uses catchy-riffs to drive home the song and mood with success.

Overall, the production could use a bit more delicacy and focus, but their intensity will be hard to be matched by just about anyone. I would imagine that the live show is even more intense. Check The Brooklyn What out and enjoy the find: www.thebrooklynwhat.com

RATING: 3.5 of 5 stars

Good Night, Good Riddance - What Bird

2009-04-27T06:17:00.000-07:00

Nashville duo What Bird, is the musical expression of Julia and Winston Harrison. Together they compose dark transient simplicity. Their debut album Good Night, Good Riddance is an expressive ride that capitalizes on emotion through ambiance and the beautiful clarity of Julia's voice.

Clearly students of Nashville, their pop-sensible tracks come across with a natural Allison Krauss element, giving the listener just enough to want more and yearn for their next recording. Songs like Home To You, Under the Milky Way, and Perfect Faith, strip things back just enough to unleash Julia's vocals in their richest way possible - working with warm ambience and texture to create memorable pieces of art.

The overall record is a complete success! Excellently blended instrumentation and the care put into each vocal line comes across with real brilliance. I think anyone a fan of excellent music will appreciate What Bird; but if you find Allison Krauss, Nichole Nordeman, the Cranberries, and the like in your CD or ipod rotations, you'll especially take the duo to heart.

Its two thumbs way up. Take care of yourself and check their tour calendar for a concert in your area, and while you're at it, and pick up a copy of the album: www.myspace.com/whatbird

RATING: 5 of 5 stars

Things We Would Rather Lose - Paper Arrows

2009-04-21T08:09:00.000-07:00

The Paper Arrows are a fresh alt/rock band from Chicago doing things right! Telling stories with clarity and using the instrumentation to evoke rich emotion is their strong suit (and when it comes to writing music, is there really anything else?)

Song like Things We Would Rather Lose capture the vibe of roots rock and singable americana, whereas Til I Couldn't Cry slows things down in a perfect piano led gospel rock track. Its an intimate track that's polished enough for pop-appeal, but raw enough that Goodkin's vocals rip to the heart, and when he jumps to falsetto all is well in the world.

On One More Quiet Song, the band brings in The Cosmic Unity for horn support and adds a totally different element to the band's sound - a sort of Mighty Mighty Boss Tones meets Counting Crows feel. And as the album comes to rest with Explosions Below, they again create an acoustic Adam Duritzy vibe as Goodkin's vocals passionately paint vivid imagery as he wails..."the last thing that she gave me!"

Buy this album, see them live, thank me later.

RATING: 5 of 5 stars

Momento - Theresa Flaminio

2009-04-19T14:38:00.000-07:00

Theresa Flaminio is a fresh voice and writer that combines jazzy nuances with a sexy singer/songwriter vocal on her album, Momento. Pop tracks like Good Thoughts and Run contrast nicely against more soulful tracks, Coulda Woulda Shoulda and Green Cadillac; exposing Flaminio's true ability to compose varied emotion, style, and genre, all the while not losing her eye on the overall product.

I'm finding myself hesitant to bring any artist comparisons to name because it's just that refreshing. It may not be your cup of tea, but its unique and I believe Flaminio is being 100% true to who she is as an artist.

The overall production is seamless and the instrumentation is very well written and crafted. If you're in the mood for something different and uplifting, get a copy of Theresa Flaminio's, Momento.

RATING: 4 of 5 stars

Once In Time - True Witness

2009-04-19T14:19:00.000-07:00

True Witness is an adult contemporary christian band from New York that poses questions, discusses faith, and sings of a greater love. Songs like, How Love Lit the Full Moon, and Not Too Late, describe the beauty of creation through metaphor and experience - the tangible essence of God's creation at work here and now.

Their music teeters back and forth between Americana and Adult Contemporary. From tracks like On High utilizing tight harmonies and more driving guitars, to Bridge, a piano led track.

If your a fan of artists such as Amy Grant, FFH, Ray Boltz, 4Him, and Michael W. Smith, you'll appreciate True Witnesses sophomore attempt, Once in Time.

RATING: 3 of 5 stars

Blue Shout Blind - Brent Jordan

2009-04-13T14:32:00.000-07:00

Brent Jordan sets the scene of an American traveler on the road, easily telling his story through acoustic strum and weathered vocal melodies. His album, Blue Shout Blind, is the seamless musical trip you'll get and will quickly embrace.

Songs like Pretty Little Thief, Everything Changing, and John's Song are easy access songwriter tunes that will give any fan of The Wallflowers, Marc Broussard , and the like, another solid artist to add to the ipod.

Perhaps his best work is American Morning. Here, Jordan brings all of the instrumentation to its fullest working potential(s); leaving nothing undone, and still no toes being stepped on either.

Brent Jordan sounds as passionate as one could and has a natural talent for musical storytelling. If you happen to be in the San Fransisco area, check out www.myspace.com/brentjordanmusic and plan to catch him live.

RATING: 4 of 5 stars

Electric Sorcery

2009-04-02T07:12:00.000-07:00

From the album opener, Mother Sea, it becomes apparent the guys of Electric Sorcery know what it takes to write a good song. It comes across the speakers like freedom and passion mixed up in a song. Directly following is Wisher, a riff driven track that is reminiscent of The Black Keys, North Mississippi Allstars, and Lenny Kravitz.

Later tracks like A Stitch in 9 Saves Time is a well crafted jam band tune - very very true to the genre. Its tracks like these that prove these guys can play and work off of each other. It also begs for LIVE APPEARANCE, so be sure to check out their website for future tour dates. If they can execute with the energy present on this album, a good time is in order.

http://www.myspace.com/electricsorcery

RATING: 4.5 stars of 5

Look at the Fish - Citizen Icon

2009-04-02T06:56:00.000-07:00

The boys from Georgia are edgy and doing something slightly non-mainstream that i'm sitting in my office intrigued. Their album, Look at the Fish begs your listening ear. On Lift it Up, you'll be surrounded with part euro-rock, part psychedelic-rock, part grunge, but two thumbs up!

Shotgun starts with a single voice and acoustic guitar. Singer and frontman, Chris Cummings growls his thoughts and angst. The band joins in a few bars later and drives the listener in a nice early Pearl Jam fashion. Later tracks like High Life use hard hitting beats and tight harmonies to carry the song. I believe this one is their strongest on the album. By the last chorus, you'll be singing along.

If you're in the Atlanta area, be sure to check out their tour schedule.
RATING: 4 of 5 stars

Strangers Pass

2009-04-02T06:43:00.000-07:00

This New Jersey band is rough, raw, and seemingly passionate. Their first track Alone, rips through the speakers like a live recording and Sadowski's vocals growl with truest sincerity. Its nicely accompanied by tasty lead guitar work.

400 Monroe steps back and more easily glides. Its a solid pop-rock ballad. But perhaps their strongest song on the 5 track e.p. is See Them All. Again, its a more reserved pop-rock tune in the vein of Tonic or Toad the Wet Sprocket. Mikkelsen also soars on the bass on this particular track.

All in all, Strangers Pass writes well, but a heftier recording budget and more intense production would serve them and their art strongly.

RATING: 3 of 5 stars

The Family Album - Lucibel Crater

2009-04-01T09:20:00.000-07:00

Creative.
Odd.
Begs for your soul and liking.

I can't begin to express how rare and nice it is to hear a band doing something angular and different! Lucibel Crater's, The Family Album is just that - angular and clearly unique.

I'm not sure the mainstream will be able to fully appreciate their art, but I appreciate their unabashed writing and combination of instrumentation from song to song. They are truly a talented group of creative artists.

Stand out tracks include, Where You Are, There was a Time, and Threadbare Funeral; excellently executed and produced with passion.

As long as they don't cave to the mainstream, I see a promising future for Lucibel Crater!

RATING: 5 of 5 stars.

Now We're Here - Frances Ancheta

2009-04-01T09:07:00.000-07:00

Frances Ancheta's, Now We're Here is a soothing easy-listening album. Its a textured and simplified acoustic album fitted with her breathy vocals. From the album opener, Coming Home, to tracks like Nothing Really Matters, you'll be transported to an island landscape musically.

Frances' sound is a combination of Calypso and Hawaiian tropical goodness - its nice.

RATING: 3 of 5 stars.

I Am Merely Sand - Daniel Christian

2009-03-12T09:04:00.001-07:00

Combining atmospheric guitars with an almost roots-rock/alt/country vibe, Daniel Christian delivers on I Am Merely Sand.

The albums opener, New Sun Rising spouts tight vocal harmonies, circular and swirling guitars, mixed with a Nashville-esque gloss. Estella glides more easily with simple instrumentation, pianos, drums, and strings. The song has a James Taylor quality to it - these are certainly some great expectations for Christian. Flashlight Tag is a simple story from childhood. Christian does a great job of translating story into song.

I Am Merely Sand is a simply done, 10-track album. There's not much flash to it musically. But if you're more into lyrics than instrumentation and production, you'll definately be a fan.

RATING: 3.5 of 5 stars

Stories from Sammy Louis - Shake Anderson

2009-03-12T08:47:00.001-07:00

Prepare to be soothed in a very real way. Shake Anderson walks you through 11 tracks of mellow, pop songs, executed precisely, and with real swagger.

Standouts include, Set it Off; it draws a picture in your mind as its being performed. Its a vivid soundscape that will set you in a good mood. Tumblin' Down, a soulish singer/songwriter tune complete with rhodes pianos and gospel choir. Sold Me Down the River is a more upbeat song straight out of Motown. I swear I could sing the chorus on first listen - it was just that catchy and perfect.

Stories from Sammy Louis has a lot of love in it and a lot of accute care. Each instrument seems delicately placed, never overstepping its role. The record works and its a real joyful ride.

For more information about Shake Anderson, check him out online: http://www.shakeanderson.com

RATING: 4 of 5 stars

Modern Science

2009-03-12T08:33:00.000-07:00

It takes about 10 seconds to realize these guys have it! Think Depeche Mode meets Stevie Wonder meets Peter Gabriel. Its a throwback to electro-funk combined with driving rock underlings - and it works.

Look Where Your Walkin' screams from the speakers extremely tightly and whether you're a fan of the genre or not, I think you'll be drawn in. I'm the One kicks off with tight bass and percussive beats that will get you moving. It has the feel of a modernized Jackson 5 tune. Baby Please has a motown feel that works while intensely rocking, "you're love has got a hold on me."

Later tracks like Desperately, rock a little more and I think are their more original and up-to-date sounding tracks. Its a darker pop-rock melody that would fit perfectly in a club. My favorite track is Can't Go Wrong, a poppy rock song that utilizes the electro-funk sounds that makes Modern Science unique, but also modernizes the sound that I think will really sell.

Its a great album that i highly recommend to any fan of good music!

RATING: 5 of 5 stars

Almost One e.p.

2009-03-12T08:11:00.000-07:00

Almost One started this indie endeavor nearly 5 years ago. And today, the 4 track e.p. translates nicely with anthemic themes, simplistic writing and recording, world music influences, but overall very nicely done.

This Night Could be True has the elements of a Jellyfish song while it utilizes some more world music themes and instrumentation. The Line however is a very basic, singable pop-song, with cowbell galore.

Things slow down on Standing Still, a piano driven song, stripped down to its essentials. The harmonies really stand out as a highlight on this track.

Almost One is clearly an indie act in the making. Watch for these guys.
RATING: 3 of 5 stars

Under Your Bed

2009-02-26T07:20:00.000-08:00

Under Your Bed is one of the best produced albums I've heard from an independent band in a while. Its deliciously driving, with raw guitars playing off one another, bass lines syncing up perfectly with the drums and intense wailing vocals to drive home each song.

Leave the Lights On hits hard from the get-go; a perfect song to get the adrenaline pumping. While tracks like No Compromise give off a real No Doubt (on steroids) feel, the kick drum pulses against Sapp's vocals. The song quickly explodes and you'll agree its a great piece of work.

Quite possibly the tightest sound and most cohesive throughout the album, is American Idle. I haven't been able to shake it from my head in over a day. I'd say they're onto something here.

Overall, Under Your Bed knows how to write. They know how to translate pure rock emotion via song. Under Your Bed is a ride - take advantage of it and spread the word when you do.

Rating: 4.5 of 5 stars

Lost & Found - Noush Skaugen

2009-02-26T07:07:00.000-08:00

Noush Skaugen is a pure pop talent we'll all be hearing from in the near future (at least that's my best guess). She's already getting ample regional acclaim, but the national scene is sure to catch on soon. Her most recent album, Lost & Found is a pop-rock score!

With catchy and singable tracks like Beautifulize and Not Gonna Give You the Satisfaction, her thick, pop-perfected melodies will remain in your head for days. The production of these songs doesn't hurt either. They're sonically accute, placing each instrument exactly where it belongs.

Other tracks such as See Clearly, give the pop-rocker a more atmospheric and spacious quality, while tracks like Let You Go, features her ability to write soft, mellow, sorrowful tunes, all the while remaining intensely simple.

All in all, her album is win. Catch a show and pick up Lost & Found in the very near future!
RATING: 4 of 5 stars

Werdegang E.P. - Sleepers Awake

2009-02-17T10:55:00.000-08:00

Imagine Eddie Vedder wailing to a trippier, more progressive backing band, and you have an accurate taste of Sleepers Awake's, Werdegang E.P. Boatman Blues really showcases great drumming by Eric Gray which is accompanied by fighting guitars.

In Time is a swingy rock song with blaring bass and guitar riffs that backs a falsetto vocal forcing the thought, "don't you wish you could turn back time?" Its more reserved and thought provoking.

Screamers unleashes non-congruent guitar lines with hard panned movement. Its a ride for your ears. Thompson's vocals are an intense whisper and work very convincingly.

If you are a fan of Pearl Jam, you'll enjoy this e.p. If not, you might want to keep your distance. If Vedder ever finds himself unable to perform, Thompson could step in and 99% of the audience wouldn't know the difference.

RATING: 3 of 5 stars

Evan Spade

2009-02-05T13:18:00.000-08:00

Evan Spade's self-titled E.P. is a pop-rock, easy listen. With pop-writing success like Butch Walker, I'd imagine Spade in the same formulaic school. His songs are extremely polished, and come across like a mastered musical equation. Each instrument seems well placed and finished with a sonic gloss.

Spade's tenor vocals are clear and understood as he moves from strong rock choruses, to floating falsetto. Everything he sings seems to stick in your head. Especially in NYC and Joyride, Spade sculpts his 3.5 minute pop-rock songs most carefully.

It's a true LA sound coming from a Texan. Whether as a solo artist, or writing for other artists, i'm sure we'll be hearing more from Evan Spade.

RATING: 3.5 of 5 stars

The Wildcat

2009-02-05T07:07:00.000-08:00

As I sit and listen to their disc for the 3rd or 4th time, it still feels like I'm sitting in a small rehearsal space, riding the rawness and intensity of the "live" vibe. The Wildcat is riff-bluesy-rock in the vein of The Black Keys (plus a bassist).

Clearly students of Zepplin, the Stones, and the like, The Wildcat is the self-titled, 3rd album from these California rockers. In 16 tracks, The Wildcat takes you from melody to honky tonk, to blues to rock. Their music heavily focuses on the instrumental side of the song, but the lyrics and melody work most perfectly with the riff-rock on standout tracks; such as Overdrive, Where the Wind Blows, The Wildcat, and Still Shimmyin', Chained.

Overall its a solid listen you'll enjoy, if you're a fan of the genre.

RATING: 3.5 of 5 stars

The Equation - Oxcart

2009-01-30T13:14:00.000-08:00

The Equation is Portland, Oregon's Oxcart's followup album to their 2005 release, Sasquatch. In The Equation, the four-piece rock band unleashes conversation, thoughts, quandaries, and debates about a man both historical and mystical. This album is pure concept and experiment.

Genuinely unique, tracks Wishes and Office morph from psychedelic-jam to jazzy lounge sexiness, showcasing the bands ability to stir things up and do something angular. Some of their angularity works, and some falls flat (like Gambler Pt. 1), while others soar (like Gambler Pt. 2). Its like a rock opera; you cannot listen to this track for singles - its a piece of art, that lasts 13 tracks. And if you just skip around, its like you took a cliff notes tour of the Smithsonian.

The Equation might not be for you. Its a concept that takes an artist to appreciate it. But I enjoyed the ride. I look forward to another chapter from Oxcart!

Rating: 4 of 5 stars

The Rye

2009-01-30T11:30:00.001-08:00

The Rye is a raw and energetic 5 piece, hailing all the way to the U.S. from Ireland. Their sound is no doubt Irish, full of danceable percussion, Celtic ferocity, and enough auxiliary instrumentation to put a smile on anyone's face.

Their self-titled 6 track e.p. is raw enough and "live" enough, that you'll feel like you're sitting in the same room with these guys. Its a true delight.

The strongest track is Fishin', a funky, bluesy, Irish song working from a simple riff that spouts stellar musicianship. The band clearly works together to create this song.

So if you're into Irish music or just want something a little different, check out The Rye (www.therye.ie).

Rating: 4 of 5 stars

Exhale Your Blues - Hannah Spiro

2009-01-30T11:16:00.001-08:00

Hannah Spiro, despite being only 18, writes beyond her years. Her album, Exhale Your Blues is an easy listening singer/songwriter album recorded sparsely with acoustic guitars, simple percussion, and layered vocals.

Her title track captures the versatility of her voice the best - a broader range from soulish low notes to a higher falsetto, beautiful harmonies, and even a fun spoken section. Its a signature sound that can be heard throughout her record.

Perhaps her spoken-heavy songs tell poignant and fun stories, but unfortunately don't translate through the production as strongly as her more melodic and sung pieces. Her voice is clear and confident and is her strong suit, really exposing itself on tracks like My Maple. I expect we'll be hearing a lot more from Hannah over the next few years.

If you find yourself in the D.C. area, be sure and check out an intimate show with Spiro!

Rating: 3.5 of 5 stars

Amateur Hour - McTwist

2009-01-30T10:54:00.000-08:00

The Maryland quartet McTwist is the culmination of power pop, punk, humor, and good energy, pulsating and rocking you into a good mood. Amateur Hour is a polished 12 track album, that is part quirky, part drive, but all good times.

Songs like Don't Say You're Fine and PFD work from simple riffs and hard hitting rhythms. More poppy tracks include Prizefighter, which more accurately captures a cohesive and working sound from the band. Its reminiscent of early Greenday and All Star United. The melody is extremely catchy and singable - their best work on the album.

Other than the album closer, Sugarcoat, there's not a lot of variation. The guitar tones, rhythms, and vocals are fairly singular.

All in all, its a well crafted album that's fun and will cause your head to bob.

Rating: 3 of 5 stars

Wallflower - Paulina Logan

2009-01-27T08:53:00.000-08:00

Paulina Logan does a fantastic balancing act between world music and adult contemporary genres, on her album Wallflower. The production of Wallflower is overwhelmingly stellar. It's one of those albums with a ton of sounds going on, but nothing muddying up the mix.

Logan's writing is fun and energetic. You cant help but have a good attitude when you're listening to her art.

True standout highlights are Too Far Gone, Stay, and Fly Away. Each of these I believe showcase her vocal talent in their best light.

The instrumentation throughout utilizes some non-traditional sounds, but crafts them all easily for a completely enjoyable album. The next time you're in California, look Paulina Logan up and catch a live show!

RATING: 4 of 5 stars

Thought You Should Know - FARKUS

2009-01-27T08:35:00.000-08:00

Chicago band, FARKUS, delivers a succinct album in their 6 track e.p., Thought You Should Know. Performing as a well-oiled machine, FARKUS drives song after song in their singable alternative/rock sound.

From the school of Seattle, Chance has enough tonal grunge to put a smile on your face. Bitter Cinderella slows down and soothes. But its not too long before they launch you back into the drive of chorus on Supposed to Be.

The overall production value was very professional. Each instrument sounding and complimenting the overall band sound. Perhaps more vocal work could be done on follow-up albums. But all in all, this e.p. does the job!

RATING: 3 of 5 stars

Introspection - The Maension

2009-01-26T07:45:00.000-08:00

Introspection, the 5 track e.p. by Hollywood rocker's, The Maension is a great rock album! Lizard Eyes, the e.p. opener is very well produced, recorded, and written. In the vein of Tool, Lizard Eyes utilizes time and space in a creative and driving way.

Camilia (Opera Song) swirls with a delay-laden opening riff that sets the ominous mood of this 6+ minute song. Again, with great execution, The Maension is able to use non-traditional hits and percussive rhythms to set them apart from the bland mainstream of Hollywood rock.

Perhaps their most critical song, is Hedonistic Goat; a riff-laden song with punching bass lines and enough grit to blind you. By no means is it watered down and poppy, but it remains singable and will stick with you for hours. This song has real punch to it.

If you find yourself on the West Coast, be sure to check their tour calendar and take in the live show. If it stands up to their e.p., The Maension is sure to be an up and coming force to be reckoned with.

Rating: 4.5 of 5

Angela Predhomme

2009-01-26T07:22:00.000-08:00

Carefree, folksy, soul and thought provoking are just a few words to describe Angela Predhomme and her music. A student of Motown, a writer of Americana, and a singer that's as transparent as her lyrics, Predhomme drifts with ease and delights the musicians soul.

Songs like, Passing the Days, showcase her Motown bent and her Michigan upbringing with poppy choruses and more upbeat melodies. But in her more reserved pieces is where she truly embraces what I believe to be "her sound."

When I'm Gone, a stripped-down delight with lilting vocals and sparse instrumentation, is performed in the vein of a Norah Jones, Joni Mitchell, Sara Bareilles hybrid.

Her best song though, is Release. It's a softly spoken tune with easy going piano work and a simple string arrangement. Predhomme's found her niche in this one - slightly soulful, mostly folksy singer/songwriter.

All in all, her album is a success! Be sure to check out Angela Predhomme and get a copy of her self-titled album.

RATING: 4 of 5 stars

From The Let Go (Bob Pepek)

2009-01-06T09:48:00.000-08:00

Connecticut isn't known for its riveting music scene, but Bob Pepek emerges as a pop-rock artist. Pepek writes catchy melodies over simple, pop-acoustic instrumentation and rhythms.

His e.p., From The Let Go, begins with a singable song, A Little More. Performed in the vein of The Bare Naked Ladies, Pepek strums and leads a somewhat quirky and fun tune - perfect for a long summer day.

This Promise to You opens with an acoustic conversation anyone will admit to having at least once in their life. Its these stories and conversations of everyday life that Pepek captures and puts to song.

But perhaps Pepek's best effort is when he strips things down to his guitar and a smattering of strings for the album closer, Just One More Word. Its darker and more subtle, and suits his voice and talent most accurately.

RATING: 3.5 of 5 stars

Love Peace (Mary & Martin)

2009-01-05T13:53:00.000-08:00

Mary & Martin, a duo from the UK writes unabashedly of two things: love and peace. Its a fitting title - Love Peace. The sounds the two produce sound like what they're going after too, warm songs, peaceful tunes, positive sounds.

Light of Love, will put a smile on your face and make you sway back and forth in the reggae infused tune. Remember, is a lighter waltz that will bring you and your loved ones close for an intimate dance, and Love Me, works its magic in the reverbial vocals, and elegant harmonies.

The duo's quest for all things Love and Peace should come as no surprise at learning of their past. Have fun and visit their website for more info: www.maryandmartin.com

RATING: 3 of 5 stars

When I Cross the River (Tom Bolton)

2009-01-05T13:30:00.000-08:00

Melbourne's, Tom Bolton whisks you away in a transparent record, When I Cross the River. Like something you'd get if you crossed Nick Drake with Pink Floyd, the album stretches across many sounds and sub-genres.

Bolton's folkish tracks seem more forced, but when he eases into the space of his more atmospheric tracks, he really rises to the occasion.

Standout tracks include, Silver; a Pink Floyd meets Radiohead song with dissonance galore and haunting vocals, Longer Than My Life; another Radiohead-esque song that delivers dark scenes through well executed recording and producion, and lastly, Little Star; one of the simpliest songs I've heard in a while, but that captures more heart and rawness than you can give one sentence credit.

RATING: 3 of 5 stars

My Thing (Tuomo)

2008-11-18T09:34:00.000-08:00

Finland, soul native, Tuomo has it!

He's an RnB singer/songwriter that capitalizes on his obvious giftedness. As a talented songwriter, instrumentalist, touring artist, and producer, Tuomo harnesses great music and production on his album, My Thing.

He's no secret in his native hometown of Helsinki. He even has followers strewn across the globe, ranging from Germany to Japan. But his American audience is limited - I'm guessing, not for long though.

My Thing is carefully crafted with soundscapes lifted from the best of Motown. It's part vintage RnB, part new soul, and all sexy. The genre, composed of huge bands, auxiliary sounds, and layered vocals, lends itself to muddiness and over-complication, but Tuomo succeeds song after song. Each instrument is seamlessly placed to pop-perfection standards.

My Thing, the title track, grips the listener with a tight percussive groove, backed by funk guitar riffs and lifts with gripping and melodic vocals. Don't Take It Too Hard takes you back to the 60's and 70's, sounding like a great Stevie Wonder track. Both 26 and Puddle of Love croon simplistically written verses and choruses that intertwine catchy vocal runs with more sparse instrumentation and harmonies. I'd imagine these two tracks making Justin Timberlake jealous he didn't write them first.

Other notable tracks are Sorry When I'm Gone and It's You, different stylistically, but both pleasing to the listener.

Tuomo is understanding of what it takes to compose a successful piece of art, and he does so with ease.

The overall production value is impeccable and the instrumentation sits exactly where its needed. Please do yourself a huge favor and pick up a copy of Tuomo's album, My Thing. You'll be happy you did. Check him out online at www.tuomomusic.com

RATING: 5 of 5 stars

Beware of Fashionable Women

2008-10-23T08:06:00.000-07:00

Rock Bottom races from the speakers, laden with simple drum grooves, harmonies galore, and a euro-rock guitar line that puts an immediate summer-fun-lovin' smile on your face. In the vein of Beachboys' Pet Sounds meets Jellyfish's Spilt Milk, the CD has begun to please.

Obligatory Tattoo starts with a riff reminiscent of your favorite James Bond film. As the verse begins you'll agree that the song has sound track written all over it. But at the chorus, it moves from distant and ominous to pure pop - too angular for what started.

Found is as close to jazz as you'll get with these guys. Its a friendly and easy listening tune. If you're a tongue in cheek fan, you'll like the conflicting lyrics (dark and bloody) mixed with the quirkiness of a poppy Ben Fold's song.

I imagine a live fan favorite to be The Great Corrupter (Of Youth). It has a very live quality. More time in production might have made this one soar more completely on record. But its in the last track, The Big Yellow, that the band strikes gold. Clearly their best song. In all facets: writing, performing, and production, it stands out above the rest. Its a catchy song, again in the vein of Ben Folds, that I think any listener will enjoy.

All in all, Beware of Fashionable Women is an upbeat, fun record. Its full of harmonies and life. Check it out whenever you get some time!

RATING: 3.5 of 5 stars.

Bright Lights (JJ Soul Band)

2008-10-02T07:03:00.000-07:00

Bright Lights, the newest album from JJ Soul Band is a nice combination of easy listening blues and adult contemporary pop-rock. There’s a little something for everyone in this album. With a stellar band and instrumentalists at hand, the boys from Iceland execute nicely.

At The Mall, the album’s opener quickly jumps at you in a bluesy pop-rock fashion; full of tasty guitar licks and perfected Rhodes and hammond work. It’s busy, but not so much that it’s overdone or conflicting. Let Love Find Us spouts trippy guitar work that would please the likes of any Jack White fan. It swells and rises and falls in such an angular way that the listener can’t help but be drawn to it.

After a few more tracks, JJ Soul Band descends from the pop-blues sound to a very John Scofield-esqu piece in, Jazz And Tarantella. Again, the instrumentation brings this song to life, and the vocals knock at your gritty soul side. JJ Soul’s vocals are something between a growling Louie Armstrong and late Peter Gabriel.

All in all, it’s a well-produced and recorded album, so pick up a copy.

RATING: 3.5 of 5 stars

In The Midnight Hours (Dan Sistos)

2008-10-01T17:17:00.000-07:00

Sassy percussion and guitar movement immediately draw in its listener on In The Midnight Hours. And so it continues for soloist, Dan Sistos in his most recent album. A true talent of the guitar, he eases through intricate runs and lead lines.

Sistos’ talent surrounds him and is evident in his past performances with the likes of Christina Aguilera and Toni Braxton, and making several major appearances on television’s The Tonight Show with Jay Leno, the Late Show with David Letterman, Good Morning America and the American Music Awards.

Nocturne is a beautifully dark piece accompanied with full string arrangement that shows Sistos’ contrast from the uber-pop/Latin music genre. Again on Midnight Waltz, Sistos is able to slow things down to almost a breeze as his playing evokes the most intimate of emotions. But my favorite work is in the simplicity of Sistos’ Going Home. If you close your eyes, you’ll swear he’s in the room with you.

Sistos is accompanied by a truly impressive list of class A musicians on this record. Anyone that appreciates well executed Latin music or is a fan of the World Music genre will instantly be a fan of Dan Sistos’, In The Midnight Hours.

RATING: 4 of 5 stars

Capsize Your Surroundings EP (Night Artery)

2008-09-26T15:20:00.000-07:00

Night Artery is the artistic expression of Australia’s, Ross Arundale. Capsize Your Surroundings is a 4 track EP that drones from the speakers with dark strings, a simple guitar line, and an enticing drum beat that pulls you in. Arundale’s voice is performed like a Broadway artist might approach a pop-rock album. An Act Ill-Informed of Returns is full of big symphonic sounds, time changes, and furious stops that would make Andrew Lloyd Weber smile.

And the sound remains…this time in Cinematic Shards on the Permanent Way, Arundale introduces a well played piano. Nerve Ending takes on a new sound and Night Artery turns adult contemporary almost without warning.

All in all, Capsize Your Surroundings is a varied album – even in 4 short tracks. I hear traces of the Broadway live-rock-musical, Coheed and Cambria, System of a Down, and late David Bowie. Clearly Arundale is a creative artist with much knowledge and professionalism in his instrumentation – executed with ease. Night Artery’s most recent EP, Capsize Your Surroundings is a ride!

RATING: 3 of 5 stars

Fibonacci's Dream (Lawrence Blatt)

2008-09-23T09:48:00.000-07:00

In 2008, Lawrence Blatt released his second album, Fibonacci’s Dream. It’s a wonderful instrumental album featuring 13 tracks of superbly executed acoustic guitar work - not surprising, coming from a player as renowned and talented as Blatt. So whether you know and already love his musical creation, or you’re a first timer, his newest album is a success.

Bern “the bear”, the album opener is a new age soother with ambient and reverb laden guitars swirling around in your head. Towards the end, Blatt’s finger movement and fret noise is a perfect percussive additive to the already stellar song. Immediately the album jumps to an up-tempo, full band piece. Una Vida is full of percussion and rhythm, but I feel distracts from Blatt’s more emotional solo pieces.

Other notable tracks include I’m Leaving Now, a passionate song banging out harsh strums that mimic the crashing Pacific waves native to Blatt’s San Francisco domicile. And in La Selva (the rainforest), he composes an accurate and picture perfect musical of the rain forest. It’s both transportive and telling. You can almost feel the mist wetting your face through his powerful performance. What Blatt is capable of saying through instrumentation only, would leave songwriters salivating.

Fibonacci’s Dream is a solid instrumental album leaving any consumers of the new age, acoustic guitar genre spending hours in ecstasy with Blatt’s talented recordings.

RATING: 4 of 5 stars

Skye (Skye Claire)

2008-09-22T08:19:00.000-07:00

Skye is a pop artist from New York where she carefully crafts her tunes. Under the production of Geza X, she executes with near pop-perfection. The opening track, How to Let Go, rips through the speakers with a driving groove and sassy vocals that make me interested. The chorus takes on a choral (almost Shania Twain feel) approach that I felt didn’t compliment the verses and overall song. Her vocals step it up though in the bridge. There’s no doubt Skye can sing!

All That’s Left slows down into a jazzy, artsy-acoustic piece that gives nods to the likes of Regina Spektor and Sara Bareilles. A pop-piano tune with string arrangements that back her vocals nicely is the strength of this tune. Skye sings her heart out and I can feel it in this one.

The 3 track EP concludes with So Far From Love, a darker song that again uses the strength of her voice to communicate her writing. The chorus resounds in its own effects, but the verses are where she succeeds most. And when I thought I had heard her best, all things strip down at about 2:22, and Skye sounds better than she has all record long – a true testament to her vocal strength.

Skye Claire’s EP is recorded with a fantastic production value and her vocals are well cared for. Fans of the genre will enjoy these tunes!

RATING: 4 of 5 stars

The Lost Sea (The Lost Sea)

2008-09-22T07:46:00.000-07:00

Pittsburgh’s, The Lost Sea is a great, American, easy listen. They’re an organic, rootsy, pilgrimage of sorts; a band that is right off the bat simple and understandably likeable. I’m sure almost anyone will appreciate The Lost Sea. At times I hear the intimacy and simplicity in storytelling of Ray Lamontagne and at other times I’m reminded of early Counting Crows.

The opener, So Little to Lose, is a waltzy joy ride. Rootsy harmonies bring this song to life and it’s a great start to the rest of the EP. The chorus lifts and the song really succeeds when Sean’s vocals soar in the gritty bridge. His voice sounds best in this register and torment.

Warmer Weather is a gentle piano tune that lilts itself into your ears. Its written with a hooky chorus to please – anyone will be able to sing along by the last chorus. Empty Swings speeds things up a bit with a fun, up tempo, resonance. It sounds like a warm September day. Again, Sean’s vocals soar and make any Adam Duritz fan happy. The song is most complimented with the distant ride and crash cymbals – a great production value.

Goodnight, Goodnight is a simple stripped-down acoustic song that feels like your sitting on the patio around a fire pit enjoying the cool night and the company of a musician and friend. The EP concludes with a slow waltz in, Phone Calls. The harmonies are great and really support the overall song. The verses are low in Sean’s register – not his forte, but resolution is had on the choruses – he nails it near perfectly. Phone Calls puts the EP to bed nicely.

The overall instrumentation is simple with the acoustic strum holding rhythm responsibilities, a simple textured drum beat, and jangly guitars and keys to please - it’s a mature folksy/alt-country sound that they seem to understand and execute most successfully. So whether you’re a fan of Bob Dylan, Ryan Adams, or Jars of Clay, I think you’ll really take a ride with these guys.

If you’re in the Pittsburgh area, be sure to stop by The Lost Sea’s website and mark your calendar for a live concert.

RATING: 4.5 of 5 stars